{"title":"Steidl","description":"\u003cp\u003eSteidl, in Göttingen, designs and prints its books in its own house: photography, art and literature.\u003c\/p\u003e","products":[{"product_id":"this-will-not-end-well","title":"Nan Goldin — This Will Not End Well","description":"\u003cp\u003eNan Goldin's slideshows and films in book form, published with Moderna Museet, Stockholm, for the retrospective of the same name that the museum organised.\u003c\/p\u003e\n\u003cp\u003eGoldin has always wanted to make films, and thinks of her slideshows as films composed of stills. In the course of fifty years she has built about a dozen of them from thousands of photographs, adding film footage, voices and archive material over time, and she goes on re-editing them. The exhibition showed six, among them \u003cem\u003eThe Ballad of Sexual Dependency\u003c\/em\u003e, \u003cem\u003eSisters, Saints and Sibyls\u003c\/em\u003e, about her older sister Barbara, who took her own life at eighteen, and \u003cem\u003eMemory Lost\u003c\/em\u003e, about drug withdrawal, each in its own building designed by the architect Hala Wardé. It then travelled to Amsterdam, Berlin, Milan and Paris.\u003c\/p\u003e\n\u003cp\u003eThe book follows the way the works are projected: every image is printed at one size on a black ground, in the order it takes in the original piece. Teresa Hahr and Fredrik Liew edited it. Most of its 20 texts were newly commissioned by Goldin, with writing by Vince Aletti, Eileen Myles, Patrick Radden Keefe, Lucy Sante and Roni Horn among others, and there is an interview by Andrea Lissoni.\u003c\/p\u003e\n\u003cp\u003eSteidl and Moderna Museet, 2022. 216 pages, clothbound hardcover, 24.5 x 26 cm.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":56425735225675,"sku":"9783969990582","price":460.0,"currency_code":"DKK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/9783969990582.jpg?v=1769777538"},{"product_id":"pictures-and-text","title":"Juergen Teller — Pictures and Text","description":"\u003cp\u003eJuergen Teller's weekly column for ZEITmagazin, the magazine of the German newspaper Die Zeit, collected in two books in a slipcase.\u003c\/p\u003e\n\u003cp\u003eFor more than a year the editors gave Teller a free hand: each week he chose one of his photographs and wrote a text to go with it, in German, which he had not written since his school days. Setting his own words beside his pictures was new to him, and it drew out the personal side of his work. The writing is as blunt as the photographs.\u003c\/p\u003e\n\u003cp\u003eFrom the start the column had keen admirers, and fierce critics too. Hundreds of letters reached the editors, among them readers asking what pictures and texts like these were doing in their newspaper. The second book, \u003cem\u003eLiterature\u003c\/em\u003e, gathers the pick of those letters. Christoph Amend contributes a foreword.\u003c\/p\u003e\n\u003cp\u003eSteidl, 2012. 192 pages across two books, hardcover in a slipcase, 21.5 x 26.2 cm.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":56425735258443,"sku":"9783869303208","price":460.0,"currency_code":"DKK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/9783869303208.jpg?v=1769777538"},{"product_id":"leben-und-tod","title":"Nobuyoshi Araki \u0026 Juergen Teller — Leben und Tod","description":"\u003cp\u003eJuergen Teller and Nobuyoshi Araki's shared book about a death in Teller's family, which grew out of the exhibition the two photographers showed together at artspace AM in Tokyo in 2019.\u003c\/p\u003e\n\u003cp\u003eIts starting point is Teller's own series, \u003cem\u003eLeben und Tod\u003c\/em\u003e, or Life and Death, made after the death of Artur, his uncle and stepfather. Photographs of his mother and of his home ground in Bubenreuth, Bavaria, are set against pictures of fertility and new life taken while he was on holiday in Bhutan with Dovile Drizyte, his partner.\u003c\/p\u003e\n\u003cp\u003eThe series led Araki to ask if he might photograph objects from Teller's childhood that held strong memories for Teller and his parents. Teller gathered them: toys, a figurine in porcelain, and violin bridges made in the family workshop. Araki's photographs of these things run beside Teller's own sequence and add a second narrative to his.\u003c\/p\u003e\n\u003cp\u003eSteidl, 2020. 72 pages, 26 x 19 cm.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":56425735323979,"sku":"9783958297456","price":370.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/cover_8815056b-f361-441b-ab59-43ad8de3620a.jpg?v=1790774317"},{"product_id":"this-is-me-this-is-you-editions-7l","title":"Roni Horn — This is Me, This is You","description":"\u003cp\u003eThe original 2002 edition of Roni Horn's twinned book of portraits, bound so that it never comes to an end.\u003c\/p\u003e\n\u003cp\u003eThe sitter is Horn's niece, Georgia Loy Horn, photographed on a compact camera over about two years, when she was between eight and ten years old. One side of the book holds 48 of these portraits. On reaching the last, the reader turns the volume over and finds 48 more, each made a few seconds after its partner and differing from it only slightly. Because the two halves cannot be looked at side by side, every picture is seen through the memory of its twin.\u003c\/p\u003e\n\u003cp\u003eAcross the sequence Georgia shifts between moods and characters, and the pictures call up screen icons as far apart as Bette Davis and Marlon Brando. Horn treats this single portrait as a study of the many identities one person holds.\u003c\/p\u003e\n\u003cp\u003eSteidl, 2002. 192 pages, softcover, 18.5 x 23 cm.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":56425735291211,"sku":"9783882437980","price":270.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/simone-cover-a220.jpg?v=1791221261"},{"product_id":"konkursas","title":"Francesca Allen — Konkursas","description":"\u003cp\u003eFrancesca Allen's photographs of Konkursas Pasaulio Ilgaplaukės, Lithuania's yearly contest for the longest hair in the world.\u003c\/p\u003e\n\u003cp\u003eIn November 2024 the British photographer and a Lithuanian friend went to Kaunas to watch the contest in person. Girls and women in their hundreds walk a runway, gloved judges measure hair groomed with great care, and the day closes with the contestants shaking their hair out together. The event is half beauty pageant, half folk ritual, and ritual and coming of age are subjects that fascinate Allen.\u003c\/p\u003e\n\u003cp\u003eAllen has said that hair shapes how others see us, and is tied up with identity, religion and culture, and with prejudice too. Her pictures move between old custom and modern life, between devotion and ambition, and are by turns strange and funny.\u003c\/p\u003e\n\u003cp\u003eChloé showed the series at Paris Photo 2025, as the second edition of its Chloé Arts programme. The book is the first in a run of titles Steidl is publishing with Chloé Arts.\u003c\/p\u003e\n\u003cp\u003eSteidl and Chloé Arts, 2025. 72 pages, clothbound hardcover with a photograph tipped in, 23.7 x 29.8 cm.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":56425735192907,"sku":"9783969995297","price":700.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/cover_96032b6f-35aa-445b-9d6f-c309ec0a8f36.jpg?v=1790774327"},{"product_id":"her-her-her-her","title":"Roni Horn — Her, Her, Her, \u0026 Her","description":"\u003cp\u003eA sequence of 120 black-and-white photographs of a Reykjavik locker room.\u003c\/p\u003e\n\u003cp\u003eFrom one frame to the next the camera hardly shifts, and Horn worked with slow shutter speeds. The clues to the place are slight: doors open and shut, room numbers, corridors that cross, and a blur in a doorway that hints at someone else in the room. Across the pages, time and viewpoint drift by small degrees, and the pictures carry a sculptor's attention to surface, repetition and form.\u003c\/p\u003e\n\u003cp\u003eHorn (born New York, 1955) works across photography, sculpture, drawing and books. 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Over an eighteen-year collaboration the two also installed Beuys's exhibitions and photographed and filmed his lectures, actions and workshops, many of them about social sculpture, his belief that anyone can be an artist.\u003c\/p\u003e\n\u003cp\u003eThe volumes cover Beuys's first trip to the United States, made with Staeck and Steidl in January 1974 (\u003cem\u003eBeuys in America\u003c\/em\u003e); the \u003cem\u003eHoneypump in the Workplace\u003c\/em\u003e, which drove honey through tubes across the Fridericianum during documenta 6 in 1977 (\u003cem\u003eHoney is flowing in all directions\u003c\/em\u003e); the \u003cem\u003ePeriphery Workshop\u003c\/em\u003e held at the same documenta; and the 1980 installation in Ghent's Museum of Fine Arts that placed shelves of everyday East German products, each signed by Beuys, among Flemish Old Master paintings (\u003cem\u003eDas Wirtschaftswertprinzip\u003c\/em\u003e). The pictures show Beuys playing to his audience as well as in quieter, private moments.\u003c\/p\u003e\n\u003cp\u003eSteidl, 2022. 600 pages in four volumes, 405 images, clothbound in a slipcase, 21 x 29.7 cm. In English and German. 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Next to the work Beuys talked with visitors about social sculpture, direct democracy and his widened notion of art, and the piece came to stand for his conviction that art could change society.\u003c\/p\u003e\u003cp\u003eOn 28 June 1977 Beuys asked Gerhard Steidl and Klaus Staeck along while he tended and serviced the pump. The book's 86 photographs record the installation in close detail. Edited by Staeck and Steidl, it first came out in 1997 and has been revised for the centenary of Beuys's birth.\u003c\/p\u003e\u003cp\u003eSteidl, 2022. 104 pages, clothbound hardcover, 21 x 29.7 cm. English and German.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":56431731769675,"sku":"9783958299153","price":370.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/simone-cover-a184.jpg?v=1791200101"},{"product_id":"the-keys-to-the-house","title":"Juergen Teller — The Keys to the House","description":"\u003cp\u003eTeller at home in Suffolk, with the odd fashion sitter let in through the front door.\u003c\/p\u003e\n\u003cp\u003eTeller has never kept his commissioned fashion work apart from his private pictures, and this book puts both on the same pages. The photographs come from his life at his Suffolk home and in the country close by: the landscape there, his family and his friends. Faces from his working life appear among them, Lily Cole afloat like Ophelia and Vivienne Westwood leaning against a red Mercedes-Benz.\u003c\/p\u003e\n\u003cp\u003eBorn in Erlangen in 1964, Teller moved to London in 1986. His other Steidl titles include Louis XV and Marc Jacobs Advertising 1998–2009.\u003c\/p\u003e\n\u003cp\u003eSteidl, 2012. 24 x 30 cm, in English. Second hand.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":57397657469259,"sku":"9783869303833","price":425.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/simone-cover-a1667-1.jpg?v=1792253238"},{"product_id":"siegerflieger","title":"Juergen Teller — Siegerflieger","description":"\u003cp\u003eJuergen Teller's photographic diary of summer 2014 and Germany's World Cup victory in Brazil.\u003c\/p\u003e\n\u003cp\u003eThe title means \"the victors' plane\", the name by which the German squad's specially adapted aircraft was known. Teller, a football fanatic, follows the title win through his own summer: bratwurst and chess with his family in Bubenreuth, livelier hours with his students at the Nuremberg Academy of Fine Arts, the final watched at a Portuguese restaurant in London and the national team welcomed at the Brandenburg Gate. His son Ed, caught up in the same football fever, is the quiet star of the series, and Teller marked the title with a tattoo on his upper arm.\u003c\/p\u003e\n\u003cp\u003eFashion is almost absent. Stella Tennant appears in Teller's trainers and a pair of Germany team underpants that Teller's mother had picked up at a supermarket, and the same underwear turns up on other people throughout the book.\u003c\/p\u003e\n\u003cp\u003eThe German national team had featured in Teller's work before, notably in \u003cem\u003eNackig auf dem Fußballplatz\u003c\/em\u003e, which Steidl published in 2004. Teller designed the book with Peter Miles.\u003c\/p\u003e\n\u003cp\u003eSteidl, 2015. 336 pages, paperback, 21 x 26.5 cm. In English.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":57397657436491,"sku":"9783869309149","price":280.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/simone-cover-a1668-1.jpg?v=1792253249"}],"url":"https:\/\/shop.simonebook.services\/collections\/steidl.oembed","provider":"Simone Book Services","version":"1.0","type":"link"}