{"title":"Spector Books","description":"\u003cp\u003eSpector Books, in Leipzig, publishes art, design and theory, often designed as objects in their own right.\u003c\/p\u003e","products":[{"product_id":"scrapbook-of-the-sixties-writings-1954-2010","title":"Jonas Mekas — Scrapbook of the Sixties: Writings 1954–2010","description":"\u003cp\u003eA collection of Jonas Mekas's writing from 1954 to 2010, bringing together texts that had already appeared in print with others that had not.\u003c\/p\u003e\n\u003cp\u003eMekas was born in Lithuania and reached Brooklyn by way of Germany in 1949. Filmmaker, poet and a co-founder of New York's Anthology Film Archives, he kept a diary on film of his everyday life and became one of the central figures of American avant-garde cinema. From 1958 he wrote \u003cem\u003eMovie Journal\u003c\/em\u003e each week for the \u003cem\u003eVillage Voice\u003c\/em\u003e, and ranged well beyond film in it.\u003c\/p\u003e\n\u003cp\u003eThe book includes conversations with, among others, Susan Sontag, Pier Paolo Pasolini, Richard Foreman, Hermann Nitsch, Peter Kubelka, Nam June Paik, Judith Malina and Julian Beck of the Living Theatre, and John Lennon with Yoko Ono. Anne König edited the volume; Fabian Bremer and Pascal Storz designed it.\u003c\/p\u003e\n\u003cp\u003eSpector Books, 2015; second edition 2019. 456 pages, softcover, 16 x 21.5 cm. 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The brothers started the magazine \u003cem\u003eFilm Culture\u003c\/em\u003e in 1954, and from 1958 Jonas wrote a column each week for the \u003cem\u003eVillage Voice\u003c\/em\u003e. The entries sit alongside his own visual material, some 800 illustrations in all, 460 of them in colour.\u003c\/p\u003e\n\u003cp\u003eThe book follows \u003cem\u003eI Had Nowhere to Go\u003c\/em\u003e, his diaries of 1944 to 1955, which Spector Books published in 2017. A second volume continues from 1969 to 2011. Anne König edited the text.\u003c\/p\u003e\n\u003cp\u003eSpector Books, 2019. 824 pages, thread-sewn softcover, 16 x 21.5 cm. 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The book opens with Paik's years as a young composer and his treatment of music as score, as idea and as event, then follows the same concern through his performances, participatory works, live television and multimedia pieces, with an extensive illustrated record of the performances.\u003c\/p\u003e\n\u003cp\u003eThe exhibition ran from March to August 2023 and brought together around 100 works, including the installation \u003cem\u003eSistine Chapel\u003c\/em\u003e (1993), shown in Germany for the first time. Rudolf Frieling of the San Francisco Museum of Modern Art edited the book with the museum, with texts by Hanna Hölling, Hendrik Folkerts and Kurt Wettengl among others. Samson Young, Aki Onda, Autumn Knight and Annika Kahrs each made pages for it that show how Paik's ideas carry into the present. Design by Hannes Drißner.\u003c\/p\u003e\n\u003cp\u003eSpector Books, 2023. 242 pages, thread-sewn hardcover, 23 x 33 cm. 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More than thirty-five years of photographs, from portraiture and still life to architecture, documentary and abstraction, were hung in conversation with the library, considered both as a building and as a place where knowledge is handed on.\u003c\/p\u003e\n\u003cp\u003eAcross the book's spreads, reproductions of the works alternate with installation views showing how Tillmans remade the space. Essays by younger writers approach his practice from new directions; contributors include Julie Jones, Peter Szendy, Taous Dahmani and Boaz Levin. Florian Ebner, who leads the Centre Pompidou's photography department, edited the book with the assistant curator Olga Frydryszak-Rétat. Design by deValence with Lyosha Kritsouk.\u003c\/p\u003e\n\u003cp\u003eSpector Books, 2025. 272 pages, thread-sewn softcover, 22 x 28 cm, with more than 600 colour illustrations. 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Rubin arbeitete regelmäßig mit Jonas Mekas und Andy Warhol zusammen, sie machte Bob Dylan mit Allen Ginsberg bekannt und Warhol mit The Velvet Underground. Während einer intensiven Reisephase schrieb sie leidenschaftliche Briefe über den Film und den Underground an Mekas. In dieser Sonderausgabe – der Nummer 80 von Film Culture – werden erstmals ihre Briefe an ihn veröffentlicht sowie Interviews und ihr Drehbuch Christmas on Earth Continued, eine geplante Fortsetzung ihres berüchtigten Films. Film Culture 80 erscheint im Rahmen des Ausstellungsund Veranstaltungsprojektes „Edit Film Culture!“, silent green Kulturquartier, SAVVY Contemporary, Arsenal – Institut für Film und Videokunst, Berlin, 6. Juli bis 22. Juli 2018.\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":56585332654411,"sku":"9783959052023","price":230.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/cover_e8676e89-f883-4dc0-be7d-cd40e894dff5.jpg?v=1790774364"},{"product_id":"intimacy-exposed-toilets-bathrooms-restrooms","title":"Intimacy Exposed: Toilet, Bathroom, Restroom","description":"\u003cp\u003eEssays and artistic contributions on toilets and bathrooms, and on what these most private rooms say about how society is changing.\u003c\/p\u003e\n\u003cp\u003eMost of the texts were written for a 2018 symposium of the same name, organised by HEAD – Genève's interior architecture department. They ask how the people who use these spaces could be better served, how disputes between users of different sexes and ages in public facilities might be settled, and what is at stake for personal and public health. Other contributions look back at the recent history of modernist sanitary technology, at changes in fittings and furniture, and at the unofficial lives of these rooms, as informal and sometimes transgressive meeting places and as spaces people are obliged to share.\u003c\/p\u003e\n\u003cp\u003eJavier Fernández Contreras and Roberto Zancan edited the book, with HEAD – Genève as co-editor. Contributors include Joel Sanders, Philippe Rahm, Catherine Ince, Alexandra Midal, Rotor-Deconstruction, Eva Gil Lopesino, and Louise Lemoine with Ila Bêka. Design by Elias Erkan.\u003c\/p\u003e\n\u003cp\u003eSpector Books, 2023. 110 pages, perfect-bound softcover, 23 x 30 cm, with around 100 colour illustrations. In English.\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":56585335243083,"sku":"9783959055833","price":265.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/cover_91afb17d-1dec-429c-9b83-0fadba511e5d.jpg?v=1790781770"},{"product_id":"david-berge-bialetti-a-catalogue","title":"David Bergé — Bialetti: A catalogue","description":"\u003cp\u003eDavid Bergé's proposal for a catalogue of Bialetti, the Italian maker of stovetop coffee pots, built from pots the artist tracked down himself.\u003c\/p\u003e\n\u003cp\u003eIn the 1920s the three Bialetti brothers, Camillo, Cezaro and Alfonso, were making aluminium household goods in workshops in northern Italy. Alfonso's son Renato later took over the family name, moved the stovetop coffee maker into industrial production in the early 1950s and went on to sell some 300 million of them. He cloned his own design to keep rivals at bay and saw no need to keep records, prototypes or an archive.\u003c\/p\u003e\n\u003cp\u003eInto that gap stepped Bergé, a Belgian artist who lives between Athens and Brussels. He collected Bialetti pots at second-hand markets, in the brand's flagship shops and around the ruined factory. The book traces how this piece of precision engineering was made, drawing on the memories of Bialetti family members, people who once worked in the factory and union representatives. His collection of 62 machines has been installed alongside a large 50 x 70 cm version of the book, and the project has been shown at Design Museum Gent and the Grassi Museum of Applied Arts in Leipzig. Designed by Lyosha Kritsouk.\u003c\/p\u003e\n\u003cp\u003eSpector Books, 2023. 80 pages, 69 black-and-white and colour illustrations, thread-sewn hardcover, 16 x 23 cm. 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He treats the mishap as a quality, because it leaves room for people to use a city in their own personal way.\u003c\/p\u003e\n\u003cp\u003ePictures of the skipping rope return at regular intervals through the book, with runs of blank pages between them that slow the reading down. Before this he photographed city districts and brutalist buildings in black and white, in places marked by war and violence over the past few decades.\u003c\/p\u003e\n\u003cp\u003eBorn in France in 1989, Cavalier is an artist working in several media and based in Brussels. He published an earlier book with Fw:Books in 2020.\u003c\/p\u003e\n\u003cp\u003eSpector Books, 2024. 120 pages, 41 black-and-white illustrations, open thread-sewn softcover with a screen-printed dust jacket, 20 x 27 cm. In English. Designed by Malin Gewinner with the artist.\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":56585339142475,"sku":"9783959058032","price":300.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/cover_395cb9f4-8c3d-4c4d-b2ed-3eb4a762112f.jpg?v=1790774360"},{"product_id":"the-new-alphabet-dna-1-das-neue-alphabet-dna-the-new-alphabet","title":"The New Alphabet (DNA 1)","description":"\u003cp\u003eVolume one of \u003cem\u003eDas Neue Alphabet\u003c\/em\u003e, a series of 25 books from Haus der Kulturen der Welt in Berlin, issued by Spector Books in German and English editions in 2021 and 2022.\u003c\/p\u003e\n\u003cp\u003eStarting from the digital, which can look like a universal medium for notation, the volume follows how speech and writing move in different directions, somewhere between an ordering cosmos and the disorder of lived experience. Its examples run from binary code and Leibniz's Monadology to non-Western scripts and the alphabet song. Bernd Scherer, the editor, writes the introduction and an essay on perspectives and digital code. Yuk Hui considers writing as cosmotechnics; Ann Cotten writes on the iroha, logographs and writing systems, and with Kanako Tada on kanji; Ben Lerner contributes an alphabet piece addressed to Alexander Kluge and an extract from \u003cem\u003eThe Hatred of Poetry\u003c\/em\u003e. The pictures are by Wolfgang Tillmans, from his project \u003cem\u003eNeue Welt\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eOlaf Nicolai devised the design concept with Malin Gewinner and Hannes Drißner. It follows the logic of an alphabet: title lettering, chosen words, colours and the folding of the cover shift from one volume to the next. 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