{"title":"Set Margins'","description":"\u003cp\u003eSet Margins' publishes essays and readers on art, design and society.\u003c\/p\u003e","products":[{"product_id":"walking-as-embodied-worldmaking-bodies-borders-knowledgescapes","title":"Walking as Embodied Worldmaking: Bodies, Borders, Knowledgescapes","description":"\u003cp\u003eA reader on walking, edited by Lea Maria Spahn, that approaches it both as a cultural practice and as something lived through the body.\u003c\/p\u003e\u003cp\u003eArtists and social scientists contribute texts and visual work, drawing on phenomenology, artistic practice and research method. They look at walks made through particular landscapes and at the ties such walks form between bodies, knowledge, places, feelings and materials, including the way a route can run across political territories and borders. Spahn writes the introduction. Among the other contributors are Shira Wachsmann, Otto Kauppinen, Maja Maksimović, Antonín Brinda, Mariele Weber, Dorothea Hamilton, Eva Clara Tenzler, Darija Medić with Mirjana Utvić, and the duo inka°witz.\u003c\/p\u003e\u003cp\u003eThe book was made with the support of the Faculty of Fine Arts at Brno University of Technology. It was designed by Kristýna Krejčová and Kristýna Žáčková, printed in Vilnius and has 122 colour images.\u003c\/p\u003e\u003cp\u003eSet Margins', 2025. 216 pages, sewn softcover with flaps, 17 x 24 cm.\u003c\/p\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":56567178854731,"sku":"9789083499338","price":245.0,"currency_code":"DKK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/simone-cover-a82.jpg?v=1791199608"},{"product_id":"a-bestiary-of-the-anthropocene-hybrid-plants-animals-minerals-fungi-and-other-specimens","title":"A Bestiary of the Anthropocene: Hybrid plants, animals, minerals, fungi, and other specimens","description":"\u003cp\u003eA field guide to the hybrid creatures of the present, modelled on the bestiaries of the Middle Ages.\u003c\/p\u003e\u003cp\u003eIts specimens are things in which nature and technology have become hard to tell apart: plastiglomerates, fordite, artificial grass, antenna trees, surveillance robots, pathogens and altered landscapes. Written entries on them are joined by essays that ask what can still count as natural when technology is everywhere. Nicolas Nova edited the book with Maria Roszkowska and Nicolas Maigret and wrote its introduction. Contributors include Anna Lowenhaupt Tsing, Benjamin Bratton, Geoffrey C. Bowker, Michel Lussault, Alexandre Monnin, Matthieu Duperrex and Pierre-Olivier Dittmar.\u003c\/p\u003e\u003cp\u003eRoszkowska made the 90 illustrations, printed as duotones in metallic silver on Genesis Black paper.\u003c\/p\u003e\u003cp\u003eSet Margins', 2023. 256 pages, sewn and glued softcover, 11.8 x 16.7 cm.\u003c\/p\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":56567179542859,"sku":"9789083404189","price":240.0,"currency_code":"DKK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/cover_7216bea2-47b0-490d-925b-8d48accfd529.jpg?v=1788180362"},{"product_id":"beyond-the-image","title":"Alessandro Sbordoni — Beyond the Image: On Visual Culture in the Twenty-First Century","description":"\u003cp\u003eAlessandro Sbordoni, Beyond the Image: On Visual Culture in the Twenty-First Century, Set Margins, 2025\u003c\/p\u003e\u003cp\u003eWhat scrolling did to looking.\u003c\/p\u003e\u003cp\u003eSbordoni argues that the image no longer represents anything: it only reproduces capital. Deepfakes, NFTs and influencer culture pass through a short, sharp essay on why we distrust images and keep consuming them anyway. Gold foil on the cover, printed in Tallinn.\u003c\/p\u003e\u003cp\u003e112 pages, pocket format, edition of 1,500.\u003c\/p\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":56567180886347,"sku":"9789083605234","price":170.0,"currency_code":"DKK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/cover_8c8821b3-b979-490a-95e2-b1d31387c21a.jpg?v=1790781907"},{"product_id":"a-visible-distance-craft-creativity-and-the-business-of-design","title":"Matt Owens — A Visible Distance: Craft, Creativity, and the Business of Design","description":"\u003cp\u003eMatt Owens on building and running a design practice, written as half memoir and half working manual.\u003c\/p\u003e\n\u003cp\u003eOwens is a co-founder of Athletics, a brand studio in Brooklyn, where he is Chief Design and Innovation Officer. He studied graphic design at Cranbrook, worked as an art director at Methodfive, ran a small studio of his own and self-published Volumeone, an experimental design quarterly made in Flash.\u003c\/p\u003e\n\u003cp\u003eThe book follows his career from the DIY, punk and skateboarding scenes of the late 1980s, through the arrival of the commercial internet in the late 1990s and the growth of an agency, up to the present, with artificial intelligence, automation and hybrid, distributed teams. As it goes, he offers practical ways of weighing intuition and taste against technical skill and business decisions. It is written for students, teachers and working designers.\u003c\/p\u003e\n\u003cp\u003eMargaret Dodge edited the book and Owens designed it himself. It has 34 colour images and is sewn, and it was printed by Printon in Tallinn. The first printing, in February 2024, was 4,000 copies.\u003c\/p\u003e\n\u003cp\u003eSet Margins', 2024. 236 pages, softcover with flaps, 15.2 x 22.9 cm.\u003c\/p\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":56567182393675,"sku":"9789083404141","price":220.0,"currency_code":"DKK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/simone-cover-a85.jpg?v=1791199623"},{"product_id":"nothing-about-interior-architecture","title":"Nothing About Interior Architecture","description":"\u003cp\u003eNothing About Interior Architecture, Set Margins, 2026\u003c\/p\u003e\u003cp\u003e448 pages about a discipline the title claims to ignore.\u003c\/p\u003e\u003cp\u003eEdited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard with HEAD Genève, the book argues interior architecture is often dissident, sometimes adherent, through 286 images and contributors including Philippe Rahm. Swiss bound, debossed cover in a single warm gray.\u003c\/p\u003e\u003cp\u003e448 pages, edition of 1,500.\u003c\/p\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":56568858542411,"sku":"9789083532530","price":300.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/simone-cover-a94.jpg?v=1791199667"},{"product_id":"cross-cultural-chairs-8-chairs-from-8-countries-diversifying-modern-seating","title":"Matteo Guarnaccia — Cross Cultural Chairs","description":"\u003cp\u003eCross Cultural Chairs: 8 chairs from 8 countries: diversifying modern seating, Set Margins', 2023\u003c\/p\u003e\n\u003cp\u003eA study of seating across cultures, from a project that started with the white plastic garden chair.\u003c\/p\u003e\n\u003cp\u003eOver eight months, Matteo Guarnaccia, a designer from Sicily who edits the volume, travelled to eight of the world's most populous countries. In each he worked with local designers and artisans on one chair made for that country's cultural context, while asking what globalisation does to the way chairs are designed and consumed.\u003c\/p\u003e\n\u003cp\u003eIntroductory interviews with FormaFantasma and Aldo Cibic open the book, followed by texts from Tulio Amarante, Spandana Gopal, Hisashi Ikai, Wale Lawal, Ana Elena Mallet, Ayos Purwoaji, Alexandra Sankova and Shell Xu. It first came out with Onomatopee in 2021; this is the Set Margins' edition, with graphic design by Studio Albert Romagosa.\u003c\/p\u003e\n\u003cp\u003e388 pages, Swiss-bound softcover, 170 x 240 mm, over 500 colour images, in English.\u003c\/p\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":57507596992843,"sku":"9789083350103","price":350.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/0401\/2363\/files\/cover_adb925a3-37c4-4e96-9998-58b0e4674634.jpg?v=1790774465"},{"product_id":"what-design-can-t-do-essays-on-design-and-disillusion","title":"Silvio Lorusso — What Design Can't Do: Essays on Design and Disillusion","description":"\u003cp\u003eA collection of essays on the disappointment many designers feel once the promises of their profession meet the realities of the job.\u003c\/p\u003e\n\u003cp\u003eSilvio Lorusso is Italian and lives in Lisbon, where he teaches at Lusófona University; he is also a tutor in Information Design at Design Academy Eindhoven, and works as a writer, artist and designer. Here he looks at how semi-automated digital tools wear away designers' skills, at political gestures in design that mainly serve as decoration for museums and schools, and at the vague assurances given to students. Older expressions of disenchantment sit next to current memes and angry posts from social media, and Lorusso coins a set of critical terms for describing the situation. The conclusion is unsettling and also freeing: design may have less to do with creating order than with learning to live inside disorder.\u003c\/p\u003e\n\u003cp\u003eThe book was designed by Federico Antonini and includes 75 black-and-white images. It is printed by Balto in Vilnius; the first printing of 4,000 copies appeared in September 2023, and two further printings have followed.\u003c\/p\u003e\n\u003cp\u003eSet Margins', 2023. 352 pages, sewn and glued softcover, 13 x 20 cm. 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